Villa Tugendhat


Architect: Ludwig Mies van der Rohe

Sub-Style: International Style

Year Completed: 1928-1930

Size: 907 m2

Location: Brno, Czech Republic

Villa Tugendhat (Czech: Vila Tugendhat) is an architecturally significant building in Brno, Czech Republic. It is one of the pioneering prototypes of modern architecture in Europe, and was designed by the German architects Ludwig Mies van der Rohe and Lilly Reich. It was built between 1928 and 1930 for Fritz Tugendhat and his wife Greta, of the wealthy and influential Jewish Czech Tugendhat family. Of reinforced concrete, the villa soon became an icon of modernism. Famous for its revolutionary use of space and industrial building materials, the building was added to the UNESCO World Heritage List in 2001.

The free-standing three-story villa is on a slope and faces the south-west. The second story (the ground floor) consists of the main living and social areas with the conservatory, the terrace, the kitchen and servants' rooms. The third story (the first floor) has the main entrance from the street with a passage to the terrace, the entrance hall, and rooms for the parents, children and the nanny with appropriate facilities. The chauffeur's flat with the garages and the terrace are accessed separately.

  • Mies' design principle of "less is more" and emphasis on functional amenities created a fine example of early functionalist architecture, a groundbreaking new vision in building design at the time. Mies used a revolutionary iron framework, which enabled him to dispense with supporting walls and arrange the interior in order to achieve a feeling of space and light. One wall is a sliding sheet of plate glass that descends to the basement the way an automobile window does. Mies specified all the furnishings, in collaboration with interior designer Lilly Reich (two armchairs designed for the building, the Tugendhat chair and the Brno chair, are still in production). There were no paintings or decorative items in the villa, but the interior was by no means austere due to the use of naturally patterned materials such as the onyx wall and rare tropical woods. The onyx wall is partially translucent and changes appearance when the evening sun is low. The architect managed to make the magnificent view from the villa an integral part of the interior.

    The cost was very high due to the unusual construction method, luxurious materials, and the use of modern technology for heating and ventilation. The lower-ground level was used as a service area. An ultra-modern air-conditioning system was here and a glass façade that opens completely assisted by a mechanism built into the wall. The floor area was unusually large and open compared to the average family home of the period, which, in addition to the various storage rooms, made the structure unique if not confusing to visitors not used to such minimalism.

    Features

    The main living area features a dividing wall of brown-gold onyx, which Mies sourced from the Atlas Mountains in Morocco. He supervised the cutting and finishing himself. Unusually for the time, the building features air conditioning. In the basement there are a series of dedicated service rooms, including a mechanism to retract the windows and the Mottenkammer, a dedicated moth-resistant storage room for keeping fur coats.

Related Curated Collections: Formal Contemporary


Living Room

Dining Room

Bedroom

Villa Tugendhat


 

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